Kent's cello again rallies the beauty around Antony's piano, drums and what sound like female backing vocals (though I was assured by label folk that's it's actually Antony layering himself into tizzies). ![]() The EP closes with 'The Horror Has Gone', a lilting ballad that finds Antony in full vocal tremolo. This paean to rough sex/love nicely prolongs Poe: 'The Lake' is an adaptation of an Edgar Allen poem and Antony sings on Reed's The Raven, a concept album about the soused 19th-century author. Compared to the earlier configuration, it's crisper and a tad slower with more pronounced instrumentation- especially Barker's crystalline chords.Next comes 'A Fistful of Love', a jazzy, horn-heavy stomp beginning with a spoken intro courtesy of Lou Reed.
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